Top fifteen records of 2025: Not like the other girls

I can't be the only one who waits until the actual end of the year to finalize the year-end list (and then needs a little time to write it up), right?


As previously discussed, 2024 was a great musical year.  So much so that I didn't get to everything.  Here are a few more 2024 records that could have made at least my long-list, had I discovered them in time:
(+ = woulda been a top ten candidate)
Body Count - Merciless
Cemetery Skyline - Nordic Gothic
Dawnwalker - The Unknowing+
Kalandra - A Frame Of Mind+
Kingcrow - Hopium
St. Vincent - All Born Screaming

As far as 2025, it was okay.  Even within the admittedly limited sphere of music through which I move, I found a bunch of things that I liked.  Compared to any other year since I started actually writing these things in either 2020 or 2021,* there were a lot of returning candidates this time around.  A few former top-fifteeners and two former number-ones released music this year.  Sure, some favorite artists put out disappointing records, and others came up with some good stuff that was still pretty far from greatness, for me.  But would any past list members become big repeat winners with this year's releases?  Well...

I'm committed to this idea of listing exactly** fifteen records each year as my top of tops.  Obviously, there was other music that I liked in 2025, and just because it's not on the list doesn't mean it's not worthy of one's time.  But it's worth mentioning that towards the bottom of the list they cluster together.  So here, in alphabetical order, are a few that were incredibly close to top-fifteen status, and could very easily have made the list if I were in a slightly different mood:
1914 - Viribus Unitis
Azure Emote - Cryptic Aura
Confess - Destination Addiction
Crow's Flight - The Dark Horizon

And now, the list!  This year's theme is to explain why a given record, compared to other music of its ilk (giving me a convenient way to identify what sort of music it is), earned its spot.


15)  Doris Brendel - Dog Eat Dog World 
COMPARED TO OTHER singer-songwriter-ass folk-rock albums, THIS RECORD...

... presents a unique worldview.  Doris is developing into a regular fixture of this lists and actually had two releases in 2025, but this time it's her pure-solo effort that best nails her combination of off-kilter wit, off-kilter yet haunting vocals, and ear for a tune.
A TRACK TO CHECK OUT:  "Life Is Not Fair"  


14)  Insania - The Great Apocalypse  
COMPARED TO OTHER traditional fist-pumping power metal albums, THIS RECORD...

...has a little something extra.  The songs are a little longer, the keyboard/symphonic parts complement the guitars very cleverly... basically, just enough of a tiny splash of progginess to stay interesting on repeat listens without losing the whole fist-pumping thing.  
A TRACK TO CHECK OUT:  "The Trinity"


13)  Thy Kingdom Will Burn - The Loss And Redemption
COMPARED TO OTHER straightforward melodic death metal [hereafter melodeath] albums from young bands, THIS RECORD...

...feels somehow bigger than I usually expect from melodeath, thanks to healthy use of mellow breaks and orchestration.  The Loss And Redemption entered my orbit in January and steadfastly refused to get pushed out of contention.  The songs don't need to break new ground, they just need to sound good.
A TRACK TO CHECK OUT:  "Suffering Sky"


12)  Aephanemer - Utopie 
COMPARED TO OTHER avant-garde French-language symphonic melodeath albums,THIS RECORD...

...comes closer than others I'd seen to perfectly melding the virtuosity of your favorite "neoclassical" metal project with the throat-shredding unapproachability of your favorite "artsy" extreme metal project.  The language barrier keeps it from being higher on my personal list, but to the extent that anything can be "objectively" good, Utopie is one of 2025's very best metal releases.
A TRACK TO CHECK OUT:   "La Règle du Je"


11)  Helloween - Giants & Monsters
COMPARED TO OTHER collections of unabashedly pop-embracing power metal from legends of the game with nothing left to prove, THIS RECORD...

...has Helloween's incomparable tunecraft.  I wasn't sure the "Pumpkins United" seven-man lineup would ever live up to the sum of its parts and properly use its three vocalists collaboratively.  But here they're on their game, and nobody can Helloween it up better than a Helloween that's having a good songwriting day. 
A TRACK TO CHECK OUT:   "We Can Be Gods"


10)  Weakened Friends - Feels Like Hell
COMPARED TO OTHER indie-rock albums with a heavy '90s vibe, THIS RECORD...

...actually reminds me of when this sort of rock and roll felt vital.  Sonia Sturino's vocals quaver with nervous energy over songs that evoke a highlights-only version of the best parts of fuzzed out '90s rock with '90s poppy punk, maybe throwing in a splash of '90s riot grrrl, in an appealing mix that speaks to today's frustrations. 
A TRACK TO CHECK OUT:  "Tough Luck (Bleed Me Out)"


9)  Clipse -Let God Sort Em Out 
COMPARED TO OTHER hip-hop albums from (musically) long-estranged brothers, THIS RECORD...

... is one I listened to?  As always, I recognize the absurdity of a (mostly) metal listener trying to numerically rank how one of the four or five rap records he actually listened to stacks up against Helloween or whomever.  I know just enough to tell you two things about the Clipse record, though.  One is that Pusha T and Malice are in the zone as storytellers effortlessly mixing badassery with sentiment, and two is that the beat selection (beat/track synergy abounds!) from Pharrell Williams and others is among the best I've heard in the last twenty years.
A TRACK TO CHECK OUT:  "By The Grace Of God"


8)  Eluveitie - Ànv
COMPARED TO OTHER albums that mix melodeath with Celtic folk, THIS RECORD...

...is a particular style that I'm a fan of.  I've already written a whole post about Ànv for the blog, and hopefully I conveyed its better songs' ability to combine energy, rage, and history into an exquisitely proportioned stew of the things that this band are so good at.
A TRACK TO CHECK OUT:   "The Prodigal Ones"


7)  Alestorm - The Thunderfist Chronicles
COMPARED TO OTHER folk/power metal hybrid albums from Scotsmen who write joke songs about pirates, THIS RECORD...

... is, of all the Alestorm records, one of them.  This is a good thing.  The only debate for me was whether Alestorm, by doing their usual Alestorm thing, would still be guaranteed a top-ten slot or whether I might exile them... to the bottom third of the top fifteen, because they were definitely getting in somewhere.  More time revealed more melodic sophistication in the way they construct their accordion parts and big choruses than present at first glance... just like has also happened with every preceding Alestorm record.  If the songs*** weren't there, this project wouldn't have produced a way more accomplished discography than a party/comedy band "should."  
A TRACK TO CHECK OUT  "Hyperion Omnirif"


6)  Envy Of None - Stygian Wāvs
COMPARED TO OTHER ethereal yet guitar heavy "dreampop" albums, THIS RECORD...

... lives up to the potential of its pedigree.  I followed Rush's Alex Lifeson to his side project and liked the first record fine.  Stygian Wāvs is next level, though.  Maiah Wynne has come into her own as a songwriter and singer, and with a talented rock band behind her ready to be exactly as heavy or light as a song demands, Envy have come up with a batch of songs that can best described as "hypnotic." 
A TRACK TO CHECK OUT: "Clouds"


5)  Turnstile - NEVER ENOUGH
COMPARED TO OTHER danceable albums with roots in hardcore punk, THIS RECORD...

...made me let go of my remaining reservations about the hardcore band that seems to be beloved mostly among the aging-hipster demographic**** and just bang my damn head.  I mean, I knew Turnstile were good - Glow On just barely snuck into my 2021 top fifteen list, after all - but I'm not sure I quite trusted that I liked them as much as I do.  Well, this year's effort is too packed with bangers to deny, and too sonically diverse to get dull.
A TRACK TO CHECK OUT:  "SOLE"


4)  Jethro Tull - Curious Ruminant
COMPARED TO OTHER albums that feature flute-driven ren-faire-infused folk rock, THIS RECORD...

...ruins my sense of order in the universe.  There is no logical reason to expect that Jethro Freakin' Tull, a band that released multiple records while The Beatles still existed, and that currently consists of one-hundred-twenty-year old Ian Anderson (with a voice twice as old as he is) and Some Guys, would be releasing some of the most vital, gripping music of the 2020s.  Within a four year period, this zombie Tull (still working without longtime/legendary guitarist Martin Barre, to be clear) has released three solid records, two of which, including Ruminant, are legit classics.  This has to violate at least five of Newton's laws.*****  Yet Tull are still sounding like music from another time (from a world that's smarter and more emotionally open), delivering rock's most muscular flute parts and interesting sounds, and getting stuck in my head.  Time to go exploring...   
A TRACK TO CHECK OUT:  "Stygian Hand"


3)  Ghost - Skeletá
COMPARED TO OTHER pop-metal albums that combine the metal crunch and groove of Sabbath, the hooks of ABBA, and the theatricality of Queen, THIS RECORD...

...is ear crack.  If all I want is a bunch of songs that sound really really catchy to my taste, I go to Tobias Forge.  Skeletá is somewhat in the vein of 2022 list-topper Impera but goes a little more personal and little more death obsessed.  I wish I could be more specific; I just feel like Ghost are pretty self-explanatory - either you get it, or you're not going to.
A TRACK TO CHECK OUT:   "Guiding Lights"


2)  Scardust - Souls
COMPARED TO OTHER incredibly grandiose symphonic prog-metal albums that feature one of metal's most versatile vocalists, THIS RECORD...

...has a clear method to its madness.  I've been a little slow to embrace Souls just because it's not as immediately hooky as my favorite record of 2020, Strangers, was.  Each listen makes me come around a little more, and I'm getting increasingly convinced that it'll stand the test of time.  Noa Gruman is only going to shatter glass with her upper range when the situation demands it, and she can make it as beautiful as any of her other whispered, sung, or growled melody lines.  They're going to slow down and speed up within a verse if, and only if, it's in service of a lyric about balancing planning and action.  You're allowed to get adventurous with what sort of sounds you throw into your songs... if you're Scardust, because then, every note has a reason for being there.
A TRACK TO CHECK OUT:   "Unreachable"


1)  In The Woods... - Otra
I didn't know anything about the always evolving Norwegian collective with an ellipsis in the name (described by Wikipedia as an "avant-garde/progressive black metal band" that no longer includes any of its founding members) before putting on Otra on a car trip en route to literally being in the woods.  It didn't take them long to get me under their spell.  I went back and forth a few times between how to order my #2 and #3 picks, but Otra was never in much danger of not being #1 once I'd heard it.  Clean and harsh vocals mingle smoothly in long songs that always have a point.  Rarely has music so harsh and headbangable in places been so saturated with melancholy.  

Probably the closest analogue from Benjamin lists would be one of last year's favorites, Sgàile's Traverse The Bealach, but honestly, in my limited time as a music fan, I've never heard anything quite as powerful in this specific way as Otra.  Compared to other albums I loved from 2025, including from some of my favorite artists, this record triggers an emotional response from me I can't get anywhere else.  And that's why Otra is my favorite record of the year.  (The fact that I love to be in the woods is just a bonus...)
A TRACK TO CHECK OUT:  "A Misrepresentation Of I"


As always, a few more isolated songs - either from non-top-15 records or not on records at all - that I feel like highlighting:

Aversed - "Burn"
Coast Contra - "DON'T WORRY"
honestav - "26," "Livin' Wrong"
Judicator - "A Miracle Of Life"
Kalandra - "Ghosts"
King Witch - "Swarming Flies"
Marko Hietala - "Frankenstein's Wife"
Mazbou Q - "The Dance Of Eternity" [Dream Theater rap cover]
Midnight - "Child Eaters" [Rubber City Rebels cover]
Mono Inc. - "Fly"

*There will be no further explanation of that comment

**Except when I cheat

***Yes, even the borderline-but-somehow-not-quite-embarrassing "Mountains Of The Deep" 

****I only have so many hyphenated phrases that I can give to the main text, but Turnstile are truly the hardcore punk band that an NPR listener puts on when he wants to think he's down with what the kids these days listen to.  That's not a reflection of anything about their music at all, it's just my perception of their current place in cultural awareness.  See also:  Geese/Cameron Winter

*****Yes, I am aware that there are three of those.  That was the joke.

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